Marlowe Gets Credit as Shakespeare Co-Author
How would you like it if you helped write a book and someone else got all the credit? What if most people never knew that you helped at all? You would not be a happy camper, would you? In October, The Guardian reported that Elizabethan playwright Christopher Marlowe would finally receive a co-writer credit for three of Shakespeare’s plays. Who is Christopher Marlowe and why does he deserve credit?
Who Is Christopher Marlowe?
Christopher Marlowe was an English playwright born in 1564. According to Biography.com, Christopher Marlowe “influenced William Shakespeare,” but until recently, the role Marlowe played in the creation of Shakespeare’s works was a matter of speculation. Some suspected that Marlowe was the true identity of Shakespeare, while others argued that he played no role at all. Perhaps the uncertainty has something to do with the fact that Marlowe might have been a secret agent for England, but that’s another story.
Why Does Christopher Marlowe Deserve Credit?
According to The Guardian, a team of academics used “old-fashioned scholarship and 21st-century computerised tools to analyse texts.” They found that Shakespeare had more help with his plays than anyone realized. Christopher Marlowe was responsible for co-writing the three Henry VI plays formerly attributed solely to Shakespeare.What does that mean to you? Well, if you were a Shakespeare fan, you might be tempted now to read his co-author’s work. Christopher Marlowe wrote seven other plays, the most famous of which is Doctor Faustus. His personal story is also as interesting as the tales he recounts in his plays. He died under mysterious circumstances, and of course, there is that secret agent thing. The other benefit of knowing his authorship is that now you can give credit where credit is due.
Taken from https://www.grammarly.com/blog/marlowe
SHAKESPEARE’S GRAVE. CLICK TO SEE THE VIDEO FROM YOU TUBE!
1. Rehome: give a new home;
2. Beagle: the breed of hound in the photo;
3. Yap: bark in a high-pitched tone;
4. Gold-digging:refer to women obtaining gifts from men through the flaunting of charm or beauty;
5. ASAP: as soos as possible.
CAN YOU PRONOUNCE THEM AND SAY THE DIFFERENCE?
MARY SHELLEY’S FRANKESTEIN
It has been two hundred years since an 18-year old girl woke from a lucid dream, and a story that would become the cornerstone [foundation] of science fiction and Gothic literature was born. Since its conception on the shores of Lake Geneva, Frankenstein has become one of the great modern creations myths: the young brilliant scientist, drunk on ambition and knowledge, who discovers the secrets of animating flesh and brings to life a monstrous creature, which then seeks to destroy him and the lives of those he loves.The tale begins on a dark and stormy night of June 1816, which later became known as ‘The Year without a Summer’.
Mary was part of an unprecedented gathering of literary minds, which included her lover, Percy Bysshe Shelley, and a recently exiled Lord Byron, who was staying at the Villa Diodati. The days were dismal [gloomy, sad]. Candlelight flickered [shine unsteadily] within the house and violent lightening flashed across the surface of the lake. The group were high on the sublime, sensation, and probably more illicit substances, when the challenge was put out by Byron: “We will each write a ghost story.” After many days, Frankenstein was born, quite suitably, out of a nightmare. Mary, somewhere between dreams and reality, saw the “hideous phantasm of a man stretched out … On the working of some powerful engine, [it shows] signs of life.” She had her story.
Many critics have argued that we need look no further than the novel’s subtitle – The Modern Prometheus – to understand the meaning of the work: the aspiration of men to master life and death.
Adapted from : http://www.varsity.co.uk/culture/10362